Fashion design is the art of the application of design and aesthetics to clothing and accessories. Fashion design is influenced by cultural and social attitudes, and has varied over time and place. Fashion designers work in a number of ways in designing clothing and accessories. Some work alone or as part of a team. They attempt to satisfy consumer desire for aesthetically designed clothing; and, because of the time required to bring a garment onto the market, must at times anticipate changing consumer tastes. Some designers in fact have a reputation which enables them to set fashion trends.
Fashion designers attempt to design clothes which are functional as well as aesthetically pleasing. They must consider who is likely to wear a garment and the situations in which it will be worn. They have a wide range and combinations of materials to work with and a wide range of colors, patterns and styles to choose from. Though most clothing worn for everyday wear fall within a narrow range of conventional styles, unusual garments are usually sought for special occasions, such as evening wear or party dresses.
Some clothes are made specifically for an individual, as in the case of haute couture, or off-the-rack. Today, most clothing is designed for the mass market, especially casual and every-day wear.
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Fashion designers can work in a number of ways. Fashion designers may work full-time for one fashion company, known as 'in-house designers' which owns the designs. They may work alone or as part of a team. Freelance designers work for themselves, selling their designs to fashion houses, directly to shops, or to clothing manufacturers. The garments bear the buyer's label. Some fashion designers set up their own labels, under which their designs are marketed. Some fashion designers are self-employed and design for individual clients. Other high-fashion designers cater to specialty stores or high-fashion department stores. These designers create original garments, as well as those that follow established fashion trends. Most fashion designers, however, work for apparel manufacturers, creating designs of men’s, women’s, and children’s fashions for the mass market. Large designer brands which have a 'name' as their brand such as Calvin Klein, Gucci, or Chanel are likely to be designed by a team of individual designers under the direction of a designer director.
A fashion collection is something that designers put together each season to show their idea of new trends in both their high end couture range as well as their mass market range. It is considered to have a planned obsolescence usually of one to two seasons. A season is defined as either autumn/winter or spring/summer.
Fashion designers work in different ways. Some sketch their ideas on paper, while others drape fabric on a dress form. When a designer is completely satisfied with the fit of the toile (or muslin), he or she will consult a professional pattern maker who then makes the finished, working version of the pattern out of card. The pattern maker's job is very precise and painstaking. The fit of the finished garment depends on their accuracy. Finally, a sample garment is made up and tested on a model.
Fashion design is generally considered to have started in the 19th century with Charles Frederick Worth who was the first designer to have his label sewn into the garments that he created. Before the former draper set up his maison couture (fashion house) in Paris, clothing design and creation was handled by largely anonymous seamstresses, and high fashion descended from that worn at royal courts. Worth's success was such that he was able to dictate to his customers what they should wear, instead of following their lead as earlier dressmakers had done. The term couturier was in fact first created in order to describe him. While all articles of clothing from any time period are studied by academics as costume design, only clothing created after 1858 could be considered as fashion design.
It was during this period that many design houses began to hire artists to sketch or paint designs for garments. The images were shown to clients, which was much cheaper than producing an actual sample garment in the workroom. If the client liked their design, they ordered it and the resulting garment made money for the house. Thus, the tradition of designers sketching out garment designs instead of presenting completed garments on models to customers began as an economy.
The garments produced by clothing manufacturers fall into three main categories, although these may be split up into additional, more specific categories:
Until the 1950s, fashion clothing was predominately designed and manufactured on a made-to-measure or haute couture basis (French for high-fashion), with each garment being created for a specific client. A couture garment is made to order for an individual customer, and is usually made from high-quality, expensive fabric, sewn with extreme attention to detail and finish, often using time-consuming, hand-executed techniques. Look and fit take priority over the cost of materials and the time it takes to make.
Ready-to-wear clothes are a cross between haute couture and mass market. They are not made for individual customers, but great care is taken in the choice and cut of the fabric. Clothes are made in small quantities to guarantee exclusivity, so they are rather expensive. Ready-to-wear collections are usually presented by fashion houses each season during a period known as Fashion Week. This takes place on a city-wide basis and occurs twice a year.
Currently the fashion industry relies more on mass market sales. The mass market caters for a wide range of customers, producing ready-to-wear clothes in large quantities and standard sizes. Cheap materials, creatively used, produce affordable fashion. Mass market designers generally adapt the trends set by the famous names in fashion. They often wait around a season to make sure a style is going to catch on before producing their own versions of the original look. In order to save money and time, they use cheaper fabrics and simpler production techniques which can easily be done by machine. The end product can therefore be sold much more cheaply.
There is a type of design called "kitsch" design. . . originated from the German word "kitschen" meaning ugly or not aesthetically pleasing. Another way to describe the term "kitsch" is "wearing or displaying something that has passed its fashion date and is therefore no longer in fashion. so if you are seen wearing a pair of pants that was once worn in the 80's it is seen to be known as a "kitsch" fashion statement.[1]
Median annual wages for salaried fashion designers were $61,160 in May 2008. The middle 50 percent earned between $42,150 and $87,120. The lowest 10 percent earned less than $32,150, and the highest 10 percent earned more than $124,780.. Median annual earnings were $52,860 (£28,340) in apparel, piece goods, and notions - the industry employing the largest numbers of fashion designers.[2]
There are a number of well known art schools and design schools world wide that offer degrees in fashion design. The most notable of design schools include Fashion Institute of Design & Merchandising, Fashion Institute of Technology, Istituto Marangoni, Central Saint Martins College of Art and Design, The Fashion Federation PARISEuropean Fashion Accreditation, Savannah College of Art and Design, Pratt Institute, London College of Fashion, and University of Westminster in London, Parsons The New School for Design in New York City, Politecnico of Milan, Columbia College Chicago, and National College of Arts (NCA) in Pakistan, and Shih Chien University, RMIT University in Melbourne, and Fu Jen Catholic University in Taiwan and Raffles Design in most parts of Asia.
Many professional fashion designers start off by specializing in a particular area of fashion. The smaller and the more specific the market, the more likely a company is to get the right look and feel to their clothes. It is also easier to establish oneself in the fashion industry if a company is known for one type of product, rather than several products. Once a fashion company becomes established (that is, has regular buyers and is well-known by both the trade and the public), it may decide to expand into a new area. If the firm has made a name for the clothes it already produces, this helps to sell the new line. It is usually safest for a company to expand into an area similar to the one it already knows. For example, a designer of women's sportswear might expand into men's sportswear. The chart below shows the areas in which many designers choose to specialize.
Area | Brief | Market |
---|---|---|
Women's Day wear | Practical, comfortable, fashionable | Haute couture, ready-to-wear, mass market |
Women's Evening wear | Glamorous, sophisticated, apt for the occasion | Haute couture, ready-to-wear, mass market |
Women's Lingerie | Glamorous, comfortable, washable | Haute Couture, ready-to-wear, mass market |
Men's Day wear | Casual, practical, comfortable | Tailoring, ready-to-wear, mass market |
Men's Evening wear | Smart, elegant, formal, apt for the occasion | Tailoring, ready-to-wear, mass market |
Kidswear | Trendy or Classy, practical, washable, functional | Ready-to-wear, mass market |
Girls' Wear | Pretty, colorful, practical, washable, inexpensive | Ready-to-wear, mass market |
Teenager Girl Wear | Colorful,comfortable,glamorous,pretty, | Ready-to-wear, mass market |
Sportswear | Comfortable, practical, well-ventilated, washable, functional | Ready-to-wear, mass market |
Knitwear | Right weight and color for the season | Ready-to-wear, mass market |
Outerwear | Stylish, warm, right weight and color for the season | Ready-to-wear, mass market |
Bridal wear | Sumptuous, glamorous, classic | Haute couture, ready-to-wear, mass market |
Accessories | Striking, fashionable | Haute couture, ready-to-wear, mass market |
Designers work within a hierarchical system.
"The designers are most stratified in the French system of fashion [...] Fashion ensures the functioning of a system of dominant and subordinate positions within a social order. Fashion is ideological in that it is also part of the process in which particular social groups, in this case elite designers, establish, sustain and reproduce positions of power and relations of dominance and subordination. The positions of dominance and subordination appear natural and legitimate, not only to those in positions of dominance, but also to those in subordinate positions. Fashion and the medium of fashion, that is clothing, offer means to make inequalities of socioeconomic status appear legitimate, and, therefore, acceptable."[3]
A "mythical conception of a designer as a 'creative genius' disconnected from social conditions"[4] is central for the working of the fashion system and for the reproduction of fashion as ideology. Creativity is socially constructed and not an innate given, i.e. many may be gifted but no one can become a famous designer without being legitimized by the fashion system and its gatekeepers[5].
The star system is as essential for the fashion industry as for any Culture industry. "Genre and the star system are attempts to produce something analogous to brand names in cultural industries. [...] Stars are indispensable because it is part of the ideology of creativity that creative works must have an identifiable author."[6]
Fashion today is a global industry, and most major countries have a fashion industry. Some countries are major manufacturing centres, notably China, South Korea, Spain, Germany, Brazil, and India. Five countries have established an international reputation in fashion design. These countries are France, Italy, the United Kingdom, the United States of America, and Japan.
The majority of American fashion houses are based in New York, although there are also a significant number in Los Angeles, where a substantial percentage of clothing manufactured in the US is actually made. There are also burgeoning industries in Miami and Chicago, which were once centers of American fashion. American fashion design is dominated by a clean-cut, casual style, reflecting the athletic, health-conscious lifestyles of some American city-dwellers. A designer who helped to set the trend in the United States for sport-influenced day wear throughout the 1940s and 50's was Claire McCardell. Many of her designs have been revived in recent decades. More modern influences on the American look have been Calvin Klein, Ralph Lauren, Anna Sui, Donna Karan, Tom Ford, Kenneth Cole, Marc Jacobs, Elie Tahari, Michael Kors, Vera Wang, Betsey Johnson and Tommy Hilfiger.
London has long been the capital of the UK fashion industry and has a wide range of foreign designs which have integrated with modern British styles. Typical British design is smart but innovative yet recently has become more and more unconventional, fusing traditional styles with modern techniques. Among the most notable UK fashion designers are Burberry, Paul Smith, Vivienne Westwood, Stella McCartney, John Galliano, Jasper Conran and Alexander McQueen The last British Haute Couture House is said to be Saint-Hill & Von Basedow.
Most French fashion houses are in Paris, which is the capital of French fashion. Traditionally, French fashion is chic and stylish, defined by its sophistication, cut, and smart accessories. Among the many Parisian couture houses are Balmain, Louis Vuitton, Chanel, Yves Saint Laurent, Christian Dior, Givenchy, Balenciaga and Chloé, who display their work at the designer collections that are held twice a year. Although the Global Language Monitor placed it 3rd in the Media, after Milan and New York, French fashion is internationally acclaimed and Paris remains the symbolic home of fashion.
Milan is Italy's capital of fashion. Most of the older Italian couturiers are in Rome. However, Milan and Florence are the Italian fashion capitals, and it is the exhibition venue for their collections. Italian fashion features casual elegance and luxurious fabrics. The first Italian luxury brand was the florentine Salvatore Ferragamo (who has exported exquisite hand-made shoes to the U.S. since the 1920s); among the best-known, exclusive fashion names, another florentine Gucci is the greatest-selling Italian fashion brand, and third greatest in the world, with worldwide sales of $7.158 billion dollars.[7] Other well-known Italian fashion designers Valentino Garavani, Dolce & Gabbana, Bottega Veneta, Etro, Emilio Pucci, Roberto Cavalli, Versace, Giorgio Armani, Fendi, Borbonese, Prada, Loro Piana, Byblos, Alberta Ferretti, Moschino, Ermenegildo Zegna, La Perla, Agnona, Laura Biagiotti, Lancetti, Iceberg, Carlo Pignatelli, MIla Schön, Roberta di Camerino, Solidea, Krizia, S.Nick Barua, Trussardi and Missoni. Even though Milan is the national and worldwide capital of fashion, Rome, Florence, Turin, Naples and Venice also contain many high-end fashion boutiques and are international capitals. But there are However, many designers that are not very famous... or not "equal" to the nominated before. some of this stilist are Armando Sauzullo, Arianna Morelli or Carmentea Tsparopulos.
Most of the Swiss fashion houses are in Zürich. The Swiss look is casual elegant and luxurious. The fabrics manufactured in St. Gallen are exported to the most important fashion Houses all over the World (Paris / New York / London / Milan/ Tokyo). The first Swiss luxury brand is Alvoni from the italo/Swiss designer Marianne Alvoni.
Most Japanese fashion houses are in Tokyo. The Japanese look is loose and unstructured (often resulting from complicated cutting), colours tend to the sombre and subtle, and richly textured fabrics. Famous Japanese designers are Yohji Yamamoto, Kenzo, Issey Miyake (masterful drape and cut), and Comme des Garçons 's Rei Kawakubo, who developed a new way of cutting (comparable to Madeleine Vionnet's innovation in the 1930s).